The C F A Voysey Society

November 29, 2025
This article is from Current Archaeology issue 430


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In his speech of thanks for the dinner that was given to mark his 70th birthday in 1927, the architect and designer C F A (Charles) Voysey (1857-1941) declared: ‘my work was never popular, therefore you must all see how my position here tonight is due to my many kind friends more than to myself’.

It is unlikely that that was true at the time, and it is certainly not true today. The C F A Voysey Society, founded in 2011, brings together his myriad fans from around the world – people who would consider themselves fortunate indeed if they could live in one of the 40 or so Arts and Crafts buildings that Voysey designed over the course of his career.

The French-style south corner tower of Aberystwyth University’s Old College is decorated with a mosaic that the young Voysey designed in 1887. It depicts Archimedes receiving tributes in the form of a steam engine and steamship. Voysey was forced to alter his original design to omit the figure of a downcast Pope – intended as a symbol of superstition – from under the feet of the Greek philosopher after objections from university officials.

In fact, for a price, you can do just that, as the Landmark Trust now owns the Voysey-designed former Winsford Cottage Hospital in Beaworthy, Devon, with accommodation for six. Caroline Stanford, the Trust’s historian, says the Hospital typifies Voysey’s values: that every detail should ‘instil a sense of calm repose’, and for this he preferred elements from traditional cottage architecture to ‘great sheets of plate glass’.

His buildings are marked by steeply pitched roofs with dramatic eaves lines, thick roughcast walls, and so-called ‘ribbon’ windows – long, horizontal windows, framed by stonework, that wrap around the façade of the building. Combined with a south-facing aspect, these windows allow the warmth and glow of sunlight to flood the interiors, playing on walls of white and green (‘the most restful of colours’) and the motifs of hearts, birds, and trees that decorate window fittings and door furniture.

Norney Grange, Shackleford, near Elstead in Surrey, is a Grade II*-listed building that was constructed in 1897-1898 for the Reverend William Leighton Grane at a time when members of the clergy could afford to commission a high-status dwelling.

Voysey was also a prolific designer of hundreds of wallpaper patterns, often featuring plants and birds, and it was for the Sanderson wallpaper firm that he designed the white-brick factory and showroom that stands opposite the former offices of Current Archaeology in Chiswick.

The C F A Voysey Society’s objective is to encourage research into all aspects of Voysey’s life and work, to which end it offers grants to individual scholars as well as to archives, museums, and galleries holding Voysey artefacts. Members enjoy a quarterly newsletter, an annual journal, lectures, and visits, as well as a website rich in resources including transcriptions of letters and archive material now in the collections of the Royal Institute of British Architects (RIBA) and the V&A.

The war memorial in Potters Bar, Hertfordshire, designed by Voysey in 1920 and made of Portland stone. It has a dedicatory inscription and the names of war dead inscribed in fine gold lettering on the pedestal.

Further information: http://www.voyseysociety.org

Images: Neil Jackson; Christopher Catling 

Is there a society that you would like to see profiled? Write to theeditor@archaeology.co.uk

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