REVIEW BY MARTIN HENIG
The Hinterland of Hadrian’s Wall and Derbyshire is the last of 11 ‘fascicules’ produced under the auspices of the British Academy’s Corpus Signorum Imperii Romani, which aims to catalogue all the sculptures of Roman Britain. This project has taken almost half a century to complete, and only now, with Lindsay Allason-Jones’ majestic contribution, can it take its place alongside The Roman Inscriptions of Britain (RIB) and Roman Mosaics of Britain as a valuable resource towards understanding the culture, art, and religion of the province, both in the military zone in the north and in the more civilian south.
This fascicule is a truly remarkable achievement
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