In his contribution to a new volume of essays on the history of cruck construction, the architectural historian Richard Suggett remembers an occasion on which his mentor, Peter Smith – the great authority on vernacular architecture in Wales – stood completely lost in thought while contemplating a Denbighshire cruck. After a while, Richard ventured to ask what Smith was thinking. He replied, though not unkindly, to the effect that ‘if I needed to ask, I probably would not understand the answer’.
Peter Smith’s appreciation of the aesthetic appeal of this form of medieval timber architecture is all the more striking because cruck construction has long been viewed as a primitive bui
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