identity

UK news in brief

Sculpting southern Scotland A new project, coordinated by Dr Christina Cowart-Smith and funded by the Society of Antiquaries of Scotland, is set to start this autumn with the aim of documenting around 200 fragments of sculpture south of the Forth–Clyde…

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How England Began: From the Romans to the Anglo-Saxons

REVIEW BY CH Nicholas Higham’s comprehensive exploration of how ‘Roman Britain’ transitioned into ‘Anglo-Saxon England’ brings with it a wealth of topics that still resonate today – discussions of migration, integration, and cultural influences; Britain’s relationship with continental Europe; and…

The Celts: a modern history

REVIEW BY JODY JOY Many books have been written about the ancient Celts, whether from the standpoint of a shared identity across a connected Europe, or a more sceptical perspective, arguing for regional diversity and more complicated histories. This book…

New Perspectives on Ancient Nubia

REVIEW BY ANNA GARNETT The histories, cultures, and archaeologies of ancient Nubia remain a source of much scholarly debate, and centring our research on the people of the ancient Nile Valley is especially important at this time of political turmoil…

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Trelawny’s Cornwall

REVIEW BY JOANIE WILLETT Growing up in Cornwall has been indelibly etched throughout my social learning, which makes reading (and viewing) material about Cornwall tricky. The overwhelming most books, TV, and films are written about middle-class escape or escapism which,…

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Island lives: art and identity in the Mediterranean

Water may separate the Mediterranean islands from the mainland, but the sea also offers a vital link. Anastasia Christophilopoulou considers how objects from Crete, Cyprus, and Sardinia reveal aspects of shifting island identities over time, and stories of their connections.

Opposite Awol Erizku, Nefertiti (Black Power). Neon light on coated stainless steel, 2018. Size: 180 x 130.6 x 13cm

Visions of Ancient Egypt

Ancient Egypt has provided endless inspiration for artists and designers, whether ancient or modern. Benjamin Hinson and Anna Ferrari, curators of a new exhibition on Egypt’s artistic legacy, investigate this cultural phenomenon, its links to politics and power, and how contemporary Egyptian artists have made ancient imagery their own.

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This week: Ancient immigration

While the subject of immigration remains perennially high up the modern political agenda, there is a tendency still in Britain to view the movement of people to these shores as a relatively recent phenomenon – as if it only began in the post-war period, with the arrival of the 'Windrush generation' and other migrants from countries that once were part of the British Empire. But multiculturalism has been a fact of life for much longer than that, of course.

The Rood in Medieval Britain and Ireland, c.800-c.1500

The cross is ubiquitous in medieval Christian iconography. As it was on the cross that Jesus died, bringing believers salvation, it is a critical component of the religion. But, despite the ubiquity and apparent simplicity of the instantly recognisable form,…

Sailing to Ithaca?

Is Ithaca, in fact, Odysseus’ island, where Penelope faithfully weaved, steadfastly waiting for her mischievous prince in their well-appointed palace?

Collecting Ancient Europe

This short book in connection with a project at the Rijksmuseum van Oudheden in Leiden, looking at its own forgotten ‘Ancient Europe’ collection, which was dispersed in the 1950s.