Early Medieval

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The last laugh

Furnished graves smacked of paganism, along with the idea that worldly goods should be laid in the grave for the use of the deceased in the afterlife.

Iona’s archetype? A concrete replica of the Cross of St John speaks

The Isle of Iona, located off the south-western coast of Mull in the Inner Hebrides, has been described by the poet Robert Crawford (b. 1959) as a place where ‘spirit, imagination, and physical exertion mingle’. Iona’s assemblage of early medieval carved stones and grave slabs constitute a special part of the island’s magic, forming a collection of early medieval art for which there are few parallels in the rest of Europe. The importance of one cross in particular – the 8th-century Cross of St John – has only recently been realised, in part because of a study of its concrete replica, as Current Archaeology's Chris Catling reveals.

BELOW The first part of the ‘Fashioning the Viking Age’ project produced a ‘Textile and Tool Box’ containing reproductions of textile and fibre samples and the tools used to create them.

Fashioning the Viking Age

The designs of these outfits are based on two high-status graves, which contained some of the best-preserved Viking Age textiles in Denmark: a male burial from Bjerringhøj, dated to AD 970-971, and a female grave from Hvilehøj, dated to the late AD 900s.

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MHM’s round-up of the latest military history titles

• Paths of Fire: the gun and the world it made
• Pathfinders
• The Viking Great Army and the Making of England
• SBS: Silent Warriors
• The Confidence Men: how two prisoners of war engineered the most remarkable escape in history
• Blood and Ruins: the Great Imperial War, 1931-1945

Lost and found: Bjerringhøj burial

Textile traces Sometime in the late 19th century, the remains of an elite individual that had been excavated from the Viking Age burial mound at Bjerringhøj, Denmark, in 1868 were lost. According to a recent paper in Antiquity, Charlotte Rimstad…

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Secrets of the Galloway Hoard

With a large amount of gold and Anglo-Saxon objects otherwise unseen in Scotland, the Viking Age hoard discovered in Galloway in 2014 is unusual in a number of ways. What do we know so far about this complex hoard? And what more might its contents tell us? As the Galloway Hoard goes on display in a new exhibition and research continues, Martin Goldberg explores the answers, and the new questions, the enigmatic assemblage offers up.

ABOVE New dating work has revealed the Cerne Abbas giant in Dorset was created between AD 700 and 1100.

Dating the Cerne Abbas giant

New dating research has revealed that, rather than being an ancient fertility symbol or depiction of the mythical hero Heracles, the giant is in fact medieval.

50 Finds of Early Medieval Coinage

In this latest publication in the ‘50 Finds’ series from the Portable Antiquities Scheme, John Naylor draws on a selection of 50 early medieval coins from the 10,000 recorded in the PAS database to present a sweeping yet engaging history…

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This week: Hoards

No one knows for certain why Viking Age people chose to bury their most treasured possessions underground. According to one 13th-century source, the influential Icelandic poet Snorri Sturluson, they did it because Odin – the Norse god who oversees Valhalla – had decreed that a man will have the use in the afterlife of any treasure he buried while still alive. More recently, however, archaeologists and historians have preferred more earthbound explanations for the presence in the British Isles of so many Viking Age 'hoards'.

A wealth of Viking finds

Dated to c.AD 950 on stylistic grounds, the hoard contains three significant pieces of jewellery deposited in a single event, possibly by a wealthy individual.

RIGHT Burial B10 is one of 14 people buried at Knowth between the 1st and 3rd centuries AD. Isotope analysis has established that some members of the group came from northern Britain. The choice of this Neolithic monument for their burial was perhaps intended to create a link between the newly arrived people and the indigenous ancestors.

Mounds and monasteries: burials in late Iron Age and early medieval Ireland

The Irish archaeologist Barry Raftery (1944-2010) wrote: ‘Death represents the ultimate confrontation between the human and the supernatural worlds. The surviving burial remains and the associated funerary monuments thus provide us with the clearest and most tangible surviving evidence of religious beliefs and practices’. With this as her theme, Elizabeth O’Brien has studied every excavated Irish burial dating from the period c.200 BC to c.AD 800. She found great diversity and one common strand – burial in close proximity to ancestors or to people regarded as saints, as Chris Catling reports.

Opposite A recreation of the Sutton Hoo excavation and the imprint of the ship as it appears in The Dig. above Basil Brown, discoverer of the Sutton Hoo ship burial.

This week on The Past: The Dig

Welcome to The Past, the brand new website that brings together the most exciting stories and the best writing from the worlds of history, archaeology, ancient art and heritage.

 

The big talking point here this week has been The Dig, the new Netflix movie of the Sutton Hoo story starring Carey Mulligan and Ralph Fiennes. Who would have predicted that a drama about the 1939 excavation of a 7th-century Anglo-Saxon burial mound would become one of the stand-out hits of lockdown? Or that it would plug so directly into modern concerns about the representation of women on screen?

Opposite A recreation of the Sutton Hoo excavation and the imprint of the ship as it appears in The Dig. above Basil Brown, discoverer of the Sutton Hoo ship burial.

Sutton Hoo Quiz

At what event did Edith Pretty, Sutton Hoo’s owner, get chatting with historian Vincent Redstone, a meeting that began the chain of events which led to the site’s excavation?