Feature

The King’s culprits: what became of the prisoners of 1798?

Inspired by the American and French revolutions, the Irish Rebellion of 1798 saw thousands take up arms against against British rule. But though it would inspire future generations of republicans, the rising was quickly crushed and many of the rebels were taken prisoner. Patrick Mercer looks at what happened next.

LEFT Overlooking the line of an east west early Roman street that was revealed on the former Shippam’s meat paste factory site in Chichester by Pre Construct Archaeology in 2006.

A festival of finds: celebrating Chichester’s Roman past

The people of Chichester – or Noviomagus Reginorum, as the settlement was known in the 1st century AD – have much to celebrate when it comes to their Roman heritage. Claire Walton and James Kenny explore the city’s Roman archaeology, and explain how it has served as both a platform for public engagement and the inspiration for an annual celebration of all things Roman.

BELOW Leicester’s north eastern quarter as it might have looked in the late 3rd century, when the Romano British city’s population was at its maximum. Looking south west, the view takes in a large grey roofed courtyard building and the forum, basilica, and market beyond. Farming and industrial processes are taking place within the city walls, and there are several building sites, showing a city that remains in flux.

Reinventing Ratae: exploring Roman and medieval Leicester

Nearly 50 years of excavations have explored much of Leicester’s north-eastern quarter – and now a newly published thematic volume, Life in Roman and medieval Leicester, draws together the results from these extensive investigations. Covering such a large area, and a time span that starts with the late Iron Age and carries through to the Norman Conquest and beyond, the report looks at the cycles of growth and decline in the life of the town and draws out the similarities and differences between the Roman and medieval settlement, as Chris Catling reports.

ABOVE The Altis, the sacred area of Olympia, was home to many monuments, such as here (in the foreground) the curving Philippeion, set up by Philip of Macedon after his victory over an independent Greece. Beyond is the Temple of Hera, built before the Temple of Zeus at the site.

The Changing Faces of Olympia

One of the most celebrated works of ancient Greek sculpture, Phidias’ statue of Zeus, was once housed in a temple at Olympia. Though this lost wonder was much admired by ancient visitors, it was not the only attraction at the site, for centuries the home of great panhellenic games. A new book by Judith Barringer explores the many transformations Olympia experienced, even before the creation of Phidias’ masterpiece, as David Stuttard reports.

Right Effigy pipe of seated male figure, known as Resting Warrior or Big Boy, and identified as Morning Star or the hero Red Horn, from the Spirit Lodge, Spiro. Bauxite (flint clay), AD 1100 1200. Size: c.25 x 15 x 15cm

Spiro: renewing the world

Vast quantities of artefacts were found in a mound in Oklahoma in the 1930s. Together they tell an intriguing story of ritual and cosmic renewal. As an exhibition reuniting some of these objects travels to Texas, Lucia Marchini speaks to Michelle Rich and Eric Singleton to find out more.

The Palace in the Desert

Last year, the restored mosaics of the lavish audience hall and bathhouse of Hisham’s Palace near Jericho were opened to the public. Marie-Louise Winbladh explores the early Islamic art that embellished this Umayyad winter resort, built not by Hisham, but by his nephew al-Walid.

BELOW Henry Parke (Soane office apprentice), Royal Academy lecture drawing showing a plan of Stonehenge, Wiltshire. Pen, pencil, and coloured washes on wove paper, 1817. Size: 71.3 x 129.4cm

Paper worlds and hidden masterpieces

A small selection of the thousands of drawings compiled by Regency architect Sir John Soane have gone on display in London, among them exquisite works that bring us visions of ancient monuments abroad and of unrealised splendour in England. Lucia Marchini takes a look.

Opposite Marble head of the god Apollo (Kassel type) found during excavations for the construction of the Opera House on the Viminal Hill in Rome. Roman copy of a mid 5th century BC original attributed to Phidias.

Museo Barracco: a head for sculpture

Having brought together ancient Roman, Greek, Egyptian, and Mesopotamian artefacts to create a museum of comparative sculpture, Baron Giovanni Barracco gave his collection of antiquities to the city of Rome in 1902. Now housed in a 16th-century palace in the Italian capital, the little-known Museo Barracco showcases ancient artistry and the activities of collectors, both at the turn of the century and in ancient Rome. Dalu Jones is our guide.

Above Embroidered oak leaves as trench art photograph frames.

Trench Art: the Art of War

From buttons to artillery shells, a range of items from battlefields have been transformed – often by soldiers – into powerful and personal pieces of ‘trench art’. Nicholas J Saunders explores some of the human stories of life and death sealed within these creations.

Below This artistic reconstruction of the Maryport temples was created by Julian Baum, Take 27 Ltd, for the Roman Temples Project, Maryport.

A tale of two temples: tracing religious remains at Maryport Roman fort

The Roman fort at Maryport is best known for the collection of altars, dedicated to the god Jupiter, that were found buried in a series of large pits just outside its walls. Where was this religious stonework originally displayed – and what can we learn from the remains of two temples first discovered almost 150 years ago? Carly Hilts explores a wide-ranging report on the site by Ian Haynes and Tony Wilmott.

Opposite More than any other Roman arch, the Arch of Constantine has served as the model for later versions, though it is itself modelled on the Arch of Septimius Severus and consists almost entirely of decorative elements recycled from earlier monuments. This arch commemorates the decisive Battle of the Milvian Bridge (AD 312) at which Constantine defeated Maxentius to become sole emperor.

The triumphal arch: exploring the legacy of a Roman monument

Dismissed by one distinguished architectural writer as a regrettable example of Roman pomposity, ‘typical of the rather pretentious magnificence of the [Roman] Empire’, the ‘triumphal arch’ (more correctly the ‘honorary arch’) has proved to be surprisingly enduring, with a history that extends from the Roman period to the present day. Chris Catling reviews a new book by Peter Howell tracing the history of the arch through its many manifestations.

Jason Pelias Louvre K127

The Golden Fleece paradox

The Caucasus were home to some of the world’s earliest and most proficient goldsmiths. Despite an association between this metal and the mountains that became so strong it was woven into mythology, gold artefacts more or less disappear from a large part of the region for a period of some seven centuries. Nathaniel Erb-Satullo investigates why.

ABOVE A view of the Tagus River Basin landscape at São Simão site. In the foreground, a prehistoric geometric motif can be seen. This, like most of the visible examples, was carved into the smooth schist on the bank edge.

From landscape to latex: recording rock art in the Tagus River Basin

In the 1970s, prehistoric rock art was found in the Tagus River Basin, just as a dam project was set to raise water levels. In a race against time, archaeologists sought to find a way to record thousands of images before they were submerged. Now the results have been carefully studied using a variety of new technological approaches. Sara Garcês and George Nash tell the remarkable story of one of Europe’s principal rock-art areas.

The Battle of Britain: but for a few misplaced bombs

John Lock resumes his series on the ‘Butterfly Effect’. Last time (MHM June/July 2021) he assessed the possible impact of Stonewall Jackson’s accidental shooting at the Battle of Chancellorsville. This time, equally controversially, he turns his attention to the Battle of Britain.

RIGHT A contemporary artist’s reconstruction of the bombardment of Fort Sumter by Union ironclads on 7 April 1863. Image: WikiCommons

The charge of the Iron Fleet

Charleston, 7 April 1863. It was the place where the American Civil War had started. Two years on, with a revolution in naval warfare far advanced, a fleet of Union ironclads attacked Confederate defences at Fort Sumter in Charleston Harbor. Michael Laramie describes the action.