Paid

BELOW Felicity Wild and I helped Martin Aitken with the proton magnetometer survey. I wore my school rugby jersey. She took off her sweater in the hot weather and never saw it again.

Surveying Verulamium

We all gathered round on another day, when a whoop of excitement emerged from the next-door shop, where Professor Frend was working in a cellar. He had just found the lovely bronze statuette of Venus, now a proud exhibit in the Verulamium Museum

Below The Barber Institute’s new exhibition, Miss Clara and the Celebrity Beast in Art 1500 1860, includes several depictions of the famous 18th century rhinoceros, such as this bronze sculpture.

Celebrity beasts

The statues of five elephants surrounding this part of the cemetery have led to the belief that these and other circus animals are buried here along with the human victims of the Hammond circus train disaster of 22 June 1918.

The pressure placed on academics to publish new books and papers has led to a dramatic increase in the number of works produced (LEFT), but has it also had a negative impact on their ability to address wider narratives? For example, perhaps Roman studies would benefit from more discussions of broader topics such as the nature of Roman urbanism (ABOVE).

Academic mass production

Every paper has to say something new. In the mass production of vehicle components, difference is defect. In the mass production of academic papers, difference is a requirement.

Cage cup

What is it? This cage cup, or vas diatretum, dates to the 4th century AD. The intricate, colourless glass bowl is 12.6cm tall and 15cm in diameter and has a flared rim. A Latin inscription in the central part of…

91y34OH7i L

London Clay: journeys in the deep city

London Clay is an impressionistic survey of London and its history, filtered through the prism of the underlying geological strata. It is at once personal and overarching, meandering from pre-Roman to Victorian, south London to north, via what Chivers (a…

Early Medieval Britain

Early Medieval Britain c.500-1000

Is there room for another general history of early medieval Britain? The answer is ‘yes, of course’ when it is as fresh and interesting as this one. Its USP is that it examines the history of the different peoples of…

Cornwall’s Military Heritage

Cornwall is a county with a long military history, and reminders of its past can be found scattered across the landscape, ranging from Iron Age hillforts to Cold War control centres. Surrounded by sea on three sides, Cornwall has been…

Left The wall paintings on the south wall of the south aisle at St Cadoc’s church, Llancarfan, Vale of Glamorgan, with the magnificent St George in the centre and Death and the Gallant to the left. Higher up is the princess rescued by St George and her royal parents peering anxiously from the battlements of their palace. To the right is the Virgin blessing the scene beneath the shield of the probable sponsor (the Bawdrip family, of nearby Fonmon Castle), and beyond are depictions of the Seven Deadly Sins.

Lost and found: wall paintings and rood-screens in Welsh churches

In response to the Black Lives Matter protests of June 2020, influential voices within the Anglican church called for the removal of every monument and stained-glass window commemorating people connected with slavery and empire. Ideologically motivated change on such a scale might seem unprecedented, but it has happened time and again throughout history, not least in the 16th and 17th centuries when wall paintings were obliterated and rood-lofts demolished. New discoveries remind us what we have lost, as Chris Catling reports.

ABOVE A single church can yield no end of treasures. In this case, the church of St Mary, in Chilham, Kent, has the remarkable English Renaissance tomb of Margaret Palmer (d. 1619) made from the local grey Bethersden marble, polished then etched with rose and honeysuckle blossoms and vine leaves in shallow relief. Nearby is the monument to Arthur and Edmund Hardy (d. 1858, presumably of a childhood illness), whose family owned Chilham Castle from 1861 to 1918, sculpted by Alexander Munro, with its unique depiction of a bat and shuttlecock. In the opposite (southern) aisle is the monument to Lady Mary Digges (d. 1631), with alabaster figures of Justice, Temperance, Prudence, and Fortitude (shown here) carved by Nicholas Stone.

Church Crawlers Anonymous

This ‘society’ consists of an informal Facebook group with some 1,600 members. Anyone who shares the group’s passion for exploring places of worship and contributing photographs that inspire others to enjoy visiting such places can join. Perhaps more people would…

The Middle Ages: a graphic history

Spanning roughly 1,100 years, this lively book is billed as ‘a romp across continents and kingdoms’, and it does not disappoint. Historian Eleanor Janega unpicks complex topics with verve, irreverent humour, and a scattering of pop-culture references, all accompanied by…

Reclining fig

A painter’s paradise: the life of John Craxton

The artist John Craxton had a close relationship with archaeology. It began in his early years in England, where he encountered excavations of Roman mosaics, medieval churches, and an idiosyncratic museum. But, above all, it was the art of Greece that he longed for, as Ian Collins explains.

Domitian

Domitian: dominus et deus

Are bad Roman emperors really that different from good Roman emperors? Nathalie de Haan and Eric M Moormann look at the case of Domitian, an accomplished military man and prolific builder who emulated Augustus but was reviled as a new Nero.

Eurasian Steppe

The Eurasian Steppe: People, Movement, ideas

The Eurasian Steppe: People, Movement, Ideas is an ambitious scholarly volume tracing the origins of the European identity in the Eurasian steppe, the vast expanse of land that stretches from Hungary through to the Ural Mountains and China. Covering a…

How to be a farmer

Words of wisdom: ‘Give to him who gives’

For the man who gives willingly, even if he gives much, rejoices in the gift and feels glad in his heart. The man who takes for himself, observing no sense of shame, even if it involves a small amount, hardens the heart.

BELOW The iconic pylon (gateway) of Luxor temple marked the transition of the processional way associated with the Opet festival and the beginning of the temple.

Luxor temple: where kings become gods

After coronation, the new pharaoh would head to the temple at Luxor to assume the royal ka that flowed from the gods Horus and Re all the way down Egypt’s line of rulers. Nigel Fletcher-Jones takes us on a procession through this all-important site, developed by kings strengthening their claims to divine ka.

Sutton Hoo, 1939

Shown here is one of Wagstaff’s images, with the ghostly outline of the ship, whose planks had eroded in the acidic soil, clearly visible. In the foreground, Basil Brown (wearing a hat) works in the ship.

The First Ghosts: Most Ancient of Legacies

Ancient Mesopotamian literature, written in cuneiform from around 3000 BC, is haunted by omens and ghosts. Most of the sources on ghosts come from the 1st millennium BC, written in Akkadian, but some texts and ideas hark back to even…