For some ancient Peruvian societies, the past and the future were alive, as were the dramatic landscapes they lived in. Lucia Marchini speaks to Cecilia Pardo, Jago Cooper, and Tom Cummins to find out more about how these concepts permeated the art of the Andes.
The Incas dominate perceptions of Peru’s past, but their empire did not appear out of nowhere. Instead, it drew on traditions and concepts that developed across the central Andes for thousands of years, as Cecilia Pardo and Jago Cooper told Matthew Symonds.
This dramatic work has been acquired by the J Paul Getty Museum in Los Angeles, where it is now on view. Artemisia trained with her father Orazio Gentileschi, and her Lucretia joins two of his works in the Getty collection.
New dating research has revealed that, rather than being an ancient fertility symbol or depiction of the mythical hero Heracles, the giant is in fact medieval.
The story of Thomas Becket’s murder in AD 1170 still resonates after 850 years, despite the attempts of Henry VIII to eradicate all memory of the man that Henry II reportedly called ‘this turbulent priest’. Henry VIII called for the destruction of his shrine and the defacing of prayer books referring to his martyrdom. Even so, the Becket cult refused to die, and the British Museum has brought together an array of pilgrim badges and reliquaries, medals, paintings, and stained glass to show us why so many people in medieval Europe flocked to his Canterbury shrine. Current Archaeology's Chris Catling reports.
Early visitors to Easter Island recorded strange designs of a mysterious being. Now, using the latest technology and ancient records, Paul Horley, Georgia Lee, and Paul Bahn have restored glorious colour to the sacred site of Orongo, home of the mystical birdman.
The cross is ubiquitous in medieval Christian iconography. As it was on the cross that Jesus died, bringing believers salvation, it is a critical component of the religion. But, despite the ubiquity and apparent simplicity of the instantly recognisable form,…
This is a Roman ‘horse and rider’ figurine, made of copper alloy and probably dating to between the 2nd and 3rd centuries AD. It was found in 2015 near Penllyn, Wales. While the object is quite corroded, it is largely…
Recent research on an intriguing assemblage of artefacts excavated from a Classic Maya sweat bath in Guatemala is revealing new details about ritual activity at the unusual structure. This sweat bath at Xultun, named Los Sapos (‘the toads’), was explored…
On the strength of stylistic comparisons, researchers have dated the feline to around 200 BC.
The carving depicts a clean-shaven, elite male figure, perhaps a high-priest or ruler, sitting on a decorated stool, wearing a kaunakes (a type of Sumerian long skirt).
Tantra’s appeal has proven remarkably broad. What began on the margins of Indian society went on to command the patronage of royalty and transform Hinduism and Buddhism as it spread across Asia. Along the way, it created a rich archaeological legacy, capable of provoking radically different reactions from its audiences, as Imma Ramos told World Archaeology.
Survey near the town of Palpa, Peru, has revealed a wealth of geoglyphs that appear to be older than their celebrated neighbours at Nasca. Luis Jaime Castillo, Johny Isla, Fabrizio Serván, and Karla Patroni reveal what has been found, and why these images seem to have been aimed at a very different audience to the Nasca lines.
What is it? This ceremonial yew-wood weapon – dating to the late 18th century – was made by the Nuu-cha-nulth people of the Pacific North-west Coast of Canada. Measuring 25cm in length, the club handle is decorated with black human…
Dominic Green gives us a preview of an exhibition about to open at the Getty Center in Los Angeles that shows us how the ancient world was viewed through medieval eyes
Dominic Green reports on what the discovery of fragments of Aegean-style frescoes and an extensive wine cellar can tell us about life in the Bronze Age palace being excavated at the Tel Kabri site in the Galilee region of Israel
Blood-sacrifice and ritual extravaganzas could not save the Moche civilisation, but that did not stop them trying. Jorge Meneses tells CWA about the latest discoveries in the heart of the Moche capital, evidence of the grim public displays so intrinsic to this mighty empire.