Lazio

Minerva: cultivating wisdom

A deity of wisdom and war, born fully grown, and armed, from the head of her father Zeus/Jupiter, Minerva – and her Greek counterpart Athena – played an important part in Greek and Roman religion.

Rome: strategy of empire

REVIEW BY MARK CORBY This fine book seeks to overthrow the current academic consensus that the Romans were incapable of strategic thought, had little understanding of their frontiers, lacked the will to develop a coherent defensive system due to the…

Santa Costanza, c.1710-1730

Among the early Christian catacombs in northern Rome, beyond the walls of the ancient city, are those of the Sant’Agnese fuori le mura complex. It is here along the via Nomentana that St Agnes of Rome is said to have…

1922.5377 Didrachm (Coin) Depicting the God Janus

Janus: two-faced god of beginnings

As we enter a new year, many of us find ourselves both reflecting on the past and making plans for the future. This dual outlook is embodied by the two-faced god Janus, who governed the first month of the year in ancient Rome

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Current World Archaeology 113

• Digging Caesar’s Forum: daily life in Rome
• Nebra Sky Disc: decoding a prehistoric vision of the cosmos (out 25 May on The Past)
• The dead of Amato: conflict on the Peruvian south coast
• Tsunami: a Bronze Age tragedy in Turkey
• Finding Shackleton’s ship
• The monastery of San Vincenzo al Volturno

Digging Caesar’s Forum: three thousand years of daily life in Rome

Fresh traces of urban life spanning almost three millennia are coming to light in central Rome. New Danish-Italian excavations have uncovered far more than Caesar’s monumental forum project. Delving through archaeological layers, while travelling back in time from Mussolini’s 1930s constructions, Jan Kindberg Jacobsen, Eva Mortensen, Claudio Parisi Presicce, and Rubina Raja disentangle the complex urban stratigraphy of the Eternal City.

Opposite Marble head of the god Apollo (Kassel type) found during excavations for the construction of the Opera House on the Viminal Hill in Rome. Roman copy of a mid 5th century BC original attributed to Phidias.

Museo Barracco: a head for sculpture

Having brought together ancient Roman, Greek, Egyptian, and Mesopotamian artefacts to create a museum of comparative sculpture, Baron Giovanni Barracco gave his collection of antiquities to the city of Rome in 1902. Now housed in a 16th-century palace in the Italian capital, the little-known Museo Barracco showcases ancient artistry and the activities of collectors, both at the turn of the century and in ancient Rome. Dalu Jones is our guide.

Opposite More than any other Roman arch, the Arch of Constantine has served as the model for later versions, though it is itself modelled on the Arch of Septimius Severus and consists almost entirely of decorative elements recycled from earlier monuments. This arch commemorates the decisive Battle of the Milvian Bridge (AD 312) at which Constantine defeated Maxentius to become sole emperor.

The triumphal arch: exploring the legacy of a Roman monument

Dismissed by one distinguished architectural writer as a regrettable example of Roman pomposity, ‘typical of the rather pretentious magnificence of the [Roman] Empire’, the ‘triumphal arch’ (more correctly the ‘honorary arch’) has proved to be surprisingly enduring, with a history that extends from the Roman period to the present day. Chris Catling reviews a new book by Peter Howell tracing the history of the arch through its many manifestations.

1160px Vincenzo Camuccini A Roman Triumphal Entry Possibly of Marcus Claudius Marcellus

War of words – ‘ovation’

Marcus Claudius Marcellus asked the Senate to grant him a triumph. He was refused because the fighting in his former province of Sicily was still ongoing, and his army was not with him to support his claim. Instead, he was given only an ovation.

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This week: Domitian

Few figures in history have seen their reputation rise and fall quite like Domitian (AD 51-96). The third and final ruler of the dynasty founded in AD 69 by his father Vespasian, he became one of the longest-serving emperors, praised during his 15-year reign as a living god, but later remembered as corrupt, murderous and deeply depraved.

Domitian

Domitian: dominus et deus

Are bad Roman emperors really that different from good Roman emperors? Nathalie de Haan and Eric M Moormann look at the case of Domitian, an accomplished military man and prolific builder who emulated Augustus but was reviled as a new Nero.

ABOVE The Mausoleum of Augustus, as seen in the summer of 2017. The poor state of the monument in 2014 the 2,000th anniversary of Augustus’ death helped to prompt the establishment of LoveItaly.

Tracy Roberts and LoveItaly

Based in Rome, LoveItaly is now in its seventh year and its accent is decidedly American and not patrician. It owes everything to the dynamism of a Californian who is every bit as Roman as the Romans.

‘Arrogance and violence’

Suetonius’ Lives of the Caesars offers a series of sensational biographies of Roman rulers from Julius Caesar to Domitian, highlighting moments of depravity, viciousness, scheming, and excess.

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Honouring Augustus

After centuries of reuse and years of closure, the Mausoleum of Augustus is now open to visitors. Dalu Jones examines the structure’s long history and how, with its neighbour the Ara Pacis, it forms a modern monumental complex to the ancient emperor in the heart of Rome.

OPPOSITE Polychrome wall mosaic showing a harbour and ship, found in the garden of Palazzo Rospigliosi Pallavicini in 1876, during construction work on Rome’s Via Nazionale. Late 2nd / early 3rd century

Rome’s hidden mosaics

With small tiles of marble and glass, Roman mosaicists created intricate mythological images, realistic scenes from nature, and other complex compositions to decorate the floors and walls of tombs, sanctuaries, and homes. Dalu Jones explores some mosaic masterpieces normally hidden in stores in Rome’s museums.

Left Nero, in the form of a marble statue created within a few years of him becoming emperor in AD 54. His hairstyle differed from that of previous emperors, and according to the ancient authors so too did his general approach to the role. It is illuminating to compare and contrast their hostile accounts with objects created

Nero: monster or maligned?

It would be fair to say that Nero’s reputation survives him. But could it be that this notorious imperial bad boy has been unfairly condemned by history? While the charge sheet levelled against him by the ancient historians is truly horrifying, archaeology paints a more nuanced picture, as Thorsten Opper told Current World Archaeology's Matthew Symonds.