REVIEW BY MARTIN HENIG The Hinterland of Hadrian’s Wall and Derbyshire is the last of 11 ‘fascicules’ produced under the auspices of the British Academy’s Corpus Signorum Imperii Romani, which aims to catalogue all the sculptures of Roman Britain. This…
The latest on exhibitions, acquisitions, and key decisions.
The sculptures could be representations of a family group from inside a Roman mausoleum.
Very often, the stories we tell about archaeology are of objects being dug up, excavated, or otherwise unearthed. Sometimes, however, little actual digging is required, because the object being searched for has been there all along – right in front of the eye, hiding in plain sight, just waiting to be discovered.
Research in the hinterland of Hadrian’s Wall has revealed remarkable examples of Romano-British artistry hidden in plain sight. Ian Haynes and Lindsay Allason-Jones explore some of the key examples identified by the Elusive Sculptures project, and how these carvings have evaded archaeological attention in the past.
One of the finest collections of Roman emperors is to be found hidden away in the Musée Saint-Raymond, the archaeological museum of Toulouse, in south-western France. But where did they come from, and how did such a magnificent collection of Roman emperors come to lose their heads?
New dating of the Shigir Idol, the oldest known wooden monumental statue in the world, has revealed that it was created even earlier than previously thought.
A 38cm-long bronze finger has rejoined the hand of Constantine the Great in the Capitoline Museums in Rome. The ancient digit, once part of a 12m-high statue of Constantine of which several sizeable fragments survive, was acquired by the Louvre…