provenance

Chasing the Ouseley Collection

In 1920, a collection of antiquities and antiques was thrown away, and most of its contents remain lost more than a century later. Martin A Timoney describes recent efforts to piece together clues to their whereabouts and appeals for more information.

The Asante Ewer

The ewer is the largest surviving bronze vessel made in medieval England. What is it? This medieval vessel, known as the Asante Ewer, is a large bronze jug with a pear-shaped body, long neck, and triangular spout; it has a…

Lapis Lazuli, The Blue Road: Seeking the sources of the longest trade

Establishing the origin of the lapis lazuli used in ancient artefacts has long been beyond the reach of science. Now an innovative technique has revealed, in a non-invasive way, where the precious stone was coming from. Alessandro Lo Giudice, Alessandro Re, Laura Guidorzi, Marta Magalini, Norman Hammond, Randall Law, Guy Clutterbuck, and Georgina Herrmann guide us from a laboratory in Italy to a remote mine.

CA article Fig 4 NJP at Stenness

Seeking a Scottish source: Updating the story of Stonehenge’s Altar Stone

In CA 415, we reported on new scientific analysis suggesting that the origins of the Stonehenge Altar Stone lay hundreds of miles from Salisbury Plain, in the Orcadian Basin of north-east Scotland. The story has already moved on, however, with recently published research narrowing the search further, ruling out Orkney itself as a potential source. Rob Ixer, Richard Bevins, and Nick Pearce bring us up to date.

Pieces of the past: Making sense of the Knaresborough Hoard

Found in the 19th century, the Knaresborough Hoard is one of the largest and most unusual late Roman metalwork hoards known from Britain – but until recently its contents had never been studied in detail, and the circumstances of its discovery were shrouded in mystery. Carly Hilts reports on recent research that has brought to light new elements of the story of these objects.

Silver bracelets

Analysis of the silver bracelets belonging to the Fourth Dynasty queen Hetepheres I has revealed the origins of the silver ore used in Egypt, and the extent of Egypt’s trading networks. A team led by researchers from Macquarie University in…

Above Nicolas Claude Fabri de Peiresc, in a 1637 engraving by Claude Mellan.

Nicolas-Claude Fabri de Peiresc (1580-1637)

It is hard to disagree with the astronomers. They clearly felt that naming a single lunar crater after Nicolas-Claude Fabri de Peiresc in 1935 was insufficient and, in 1993, honoured him again, this time with an asteroid. But astronomy is…

Top left Under wraps: a marble statue after restoration. top right Elena Cagnoni, a restorer, working on the Torlonia Vase, a neo Attic Roman creation that is one of the largest known antique vases. The decorations on the rim depict the Labours of Hercules. Size: 177cm x 230cm above A marble statue in the photo studio. Size: 135cm tall

Hidden treasures: the Torlonia Marbles

For more than 50 years, the world’s greatest private collection of Classical art has been inaccessible to the public, locked away while a bitter dispute raged between the Italian state and one of Rome’s illustrious princes. Now the famous Torlonia Collection is to go on display at last. Dalu Jones tells its story – and offers a private view of a major new exhibition.

Above Excavations under way on Carn Menyn. Outcropping high on the Preseli Ridge, the bluestones used in the construction of Stonehenge were quarried from this region. A decade of survey in the area has identified a range of tantalising parallels between the Stonehenge and Preseli landscapes.

Stonehenge and Preseli: exploring the meaning of the bluestones

Why were the bluestones used in Stonehenge transported more than 200km from Preseli in Wales? The survey of the eastern Preseli Hills and investigation of selected sites by Timothy Darvill and Geoff Wainwright have exposed some uncanny parallels with the Stonehenge landscape. Could these help explain the meaning of the famous stone circle?