portraiture

Lara Maiklem Image

UK news in brief

New Mudlark-in-Residence role at Southwark Cathedral Lara Maiklem has been named as the first Mudlark-in-Residence for Southwark Cathedral, in what is thought to be the UK’s only permanent mudlarking role within a cultural or heritage organisation. With almost 25 years…

Bearded Viking figurine

This Viking Age figurine depicts… a man with a shrewd expression. What is it? This Viking Age figurine, which is just c.40mm tall, depicts the head and torso of a man with a shrewd expression and a distinctive hairstyle featuring…

Ancient Egypt August listings

THE BELOVED OF ISIS: NERO, THE DOMUS AUREA, AND EGYPT This exhibition explores the links between Rome and Egypt in the 1st century AD, and Emperor Nero’s special relationship with Egypt. It includes multimedia exhibits and more than 150 artefacts…

Above Henry Fuseli, The Vision of Catherine of Aragon. Oil on canvas, 1781. Size: 151 x 212.1cm

Shock and awe: the imaginative work of Henry Fuseli

The drawings and paintings of Romantic-era artist Henry Fuseli showcase his fascination with fantasy, expression, and elaborate hairstyles. Lucia Marchini takes a look at the imaginative work of the artist, and how he challenged conventions in public and private.

Domitian

Domitian: dominus et deus

Are bad Roman emperors really that different from good Roman emperors? Nathalie de Haan and Eric M Moormann look at the case of Domitian, an accomplished military man and prolific builder who emulated Augustus but was reviled as a new Nero.

Left Nero, in the form of a marble statue created within a few years of him becoming emperor in AD 54. His hairstyle differed from that of previous emperors, and according to the ancient authors so too did his general approach to the role. It is illuminating to compare and contrast their hostile accounts with objects created

Nero: monster or maligned?

It would be fair to say that Nero’s reputation survives him. But could it be that this notorious imperial bad boy has been unfairly condemned by history? While the charge sheet levelled against him by the ancient historians is truly horrifying, archaeology paints a more nuanced picture, as Thorsten Opper told Current World Archaeology's Matthew Symonds.

On show: exhibitions from around the world – June 2021

Many museums and galleries around the world have recently reopened with safety measures in place, including compulsory booking and limits on visitor numbers. Closures are still a possibility, and the dates listed below may have changed since we went to print. Check the websites and social-media accounts of the institutions for the most up-to-date information, bookings, and, in many cases, a chance to explore their collections online.

6. Dedication to the deified Augusta (Livia), circa AD 50 54, from the Porticus at Herculaneum. W. 67cm. 7. A 50cm section of the Marble Plan of Rome, circa AD 203 11, showing a plan of the now lost Porticus of Livia. Dedicated in 7 BC, it was a complex containing a temple, colonnades, a library and schools. 8. Detail of a marble panel from the north processional frieze of the Ara Pacis in Rome, commissioned in 13 BC and dedicated in 9 BC. It shows Agrippa (left) and probably Julia (right). Beween them is their son Gaius, the grandson of Augustus. H. circa 1.6m.

Roman women: following the female line

Guy de la Bédoyère tracks the Roman women who were held in high esteem because they exemplified the virtues of the state and thereby ensured the succession of the Julio-Claudian dynasty.