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Above The Long Man of Wilmington hill figure in East Sussex. Today, the giant is outlined using white painted concrete blocks, and it is known to have been picked out in bricks during the late 19th century, but do its origins lie in the Tudor period?

The Long Man of Wilmington

The origins of the imposing East Sussex hill figure known as the Long Man of Wilmington have long posed a mystery for archaeologists. Rodney Castleden discusses recent research suggesting a Tudor date for the monument – and a possible political message.

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Excavating Kent

Large infrastructure projects have led to some remarkable discoveries down the years – think of Heathrow Terminal 5, as well as the more recent work along the route of HS2

Brickmaking: history and heritage

It is always interesting to find a new book about bricks. Often ignored, these little marvels need to be celebrated, and, for this reviewer at least, there can never be too many opportunities to do so. The ability to manufacture…

BELOW The project team assembles beside Trench A after the final day of digging. This area contained monumental building remains thought to represent some of the most important structures in the extra mural area.

Birdoswald: exploring a Roman town on Hadrian’s Wall

Birdoswald is one of the most-excavated Roman forts on Hadrian’s Wall, but the area beyond the fort walls has been investigated in much less detail. Following the launch of a new four-year project to explore its remains, Current Archaeology's Carly Hilts visited the excavation to hear the latest news from Ian Haynes and Tony Wilmott.

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Nefertiti

The wife of the ‘heretic’ king Akhenaten, Queen Nefertiti is today one of the most iconic of all ancient Egyptians, thanks to her painted bust revealed to the world in 1923. Aidan Dodson charts the career of this remarkable queen, a hard-headed pragmatist who became a forgotten – and possibly murdered – king.

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Excavating a Phoenician shipwreck off the coast of Gozo, Malta

The Phoenicians occupied the coast of the Levant for over 1,000 years, but knowledge of their trade network and practices remains elusive. In 2007, an ancient wreck containing a large cache of ceramic containers was discovered off Malta. This ship proved to be one of only a handful of known Phoenician vessels. Since 2014, further exploration of the site has yielded some very exciting results. Project Director Timmy Gambin and Lucy Woods reveal some of its mysteries, and the challenges of excavating a shipwreck 110m below sea level.

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Megalithic Malta

There is much we don’t know about the people who lived in Neolithic Malta, but they left their mark on the islands through vast temples and tombs. Luc Amkreutz and Sharon Sultana explore what these impressive structures and the figurines found in them can tell us about a vanished civilisation.

OPPOSITE Polychrome wall mosaic showing a harbour and ship, found in the garden of Palazzo Rospigliosi Pallavicini in 1876, during construction work on Rome’s Via Nazionale. Late 2nd / early 3rd century

Rome’s hidden mosaics

With small tiles of marble and glass, Roman mosaicists created intricate mythological images, realistic scenes from nature, and other complex compositions to decorate the floors and walls of tombs, sanctuaries, and homes. Dalu Jones explores some mosaic masterpieces normally hidden in stores in Rome’s museums.

LEFT The golden funerary mask of Tutankhamun, brought to light by Howard Carter and his team in 1922, quickly becoming perhaps the most famous of all archaeological finds.

Egyptology: obelisks and ambitions

Flinders Petrie is called the father of Egyptian archaeology; well, he was assisted on all of his excavations by his wife Hilda, who has never really achieved the due recognition that she deserves.

Right A modern piatto di pompa with St Francis in front of a cross. Size: 31cm in diameter

St Francis of Assisi: a tale of two plates

In September 1224, St Francis of Assisi had a vision in which an angel marked him with the wounds of Christ. As Norman Hammond explains, this was a popular scene on plates for pilgrims, but sometimes these plates could offer up a more unusual image.

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Spinning Salamis

Soon after the Battle of Thermopylae in 480 BC came another famous battle as allied Greek city-states fought to resist the invading armies of the Persian Empire. The Greek victory at Salamis 2,500 years ago was mythologised by Athenian playwrights and others, monumentalising their city’s role in saving all that was good and Greek. David Stuttard guides us through the drama.

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The last laugh

Furnished graves smacked of paganism, along with the idea that worldly goods should be laid in the grave for the use of the deceased in the afterlife.

Hoards from Wiltshire

The landscape of Wiltshire is full of indications of the county’s rich history, but perhaps some of the most compelling information about the area’s past comes from the hoards buried beneath its soil. The contents of these hoards vary widely,…

Iona’s archetype? A concrete replica of the Cross of St John speaks

The Isle of Iona, located off the south-western coast of Mull in the Inner Hebrides, has been described by the poet Robert Crawford (b. 1959) as a place where ‘spirit, imagination, and physical exertion mingle’. Iona’s assemblage of early medieval carved stones and grave slabs constitute a special part of the island’s magic, forming a collection of early medieval art for which there are few parallels in the rest of Europe. The importance of one cross in particular – the 8th-century Cross of St John – has only recently been realised, in part because of a study of its concrete replica, as Current Archaeology's Chris Catling reveals.

Made of stone: seeking the dawn of technology

In this dizzying digital era, it can be startling to remember that our love affair with technology began millions of years ago with someone banging two stones together. But it is increasingly apparent that desiring tools with which to shape our world is not just a human trait. As Tomos Proffitt and Alastair Key told Current World Archaeology's Matthew Symonds, we were not – and are not – alone.

Left Nero, in the form of a marble statue created within a few years of him becoming emperor in AD 54. His hairstyle differed from that of previous emperors, and according to the ancient authors so too did his general approach to the role. It is illuminating to compare and contrast their hostile accounts with objects created

Nero: monster or maligned?

It would be fair to say that Nero’s reputation survives him. But could it be that this notorious imperial bad boy has been unfairly condemned by history? While the charge sheet levelled against him by the ancient historians is truly horrifying, archaeology paints a more nuanced picture, as Thorsten Opper told Current World Archaeology's Matthew Symonds.

The Maltese Archipelago at the Dawn of History

This, the third volume to tackle the legacy data from Malta (Tanasi et al. 2011; 2015), effectively lays the groundwork from which to launch renewed archaeological investigations. Its reinterpretation of past excavations highlights the fragile nature of the archaeological remains…

Gold spiral ring

This ring is a significant discovery because it represents the earliest gold object from a clear and well-dated context discovered in this region so far.

Growing up in the Ice Age

Growing Up in the Ice Age represents both the first book-length work on the lives of children throughout the Plio-Pleistocene, and a superlative example of how the study of children can be fully integrated into more traditional areas of Palaeolithic…