mythology

Rethinking the Ancient Druids

In her latest book, Miranda Aldhouse-Green argues that we can broadly accept the portrait made of the Druids by ancient Greek and Roman writers, including their alleged practice of human sacrifice; and that many archaeological finds – cherry-picked from all…

Sailing to Ithaca?

Is Ithaca, in fact, Odysseus’ island, where Penelope faithfully weaved, steadfastly waiting for her mischievous prince in their well-appointed palace?

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The Aeneid: A New Translation

The great epic by Roman poet Virgil (or Vergil; 70-19 BC) became an instant classic. His Aeneid was celebrated by other poets and the imperial family, and taught in schools in antiquity (indeed, it is still taught in some schools…

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The Greek dead and the Great Beyond

The ancient Greeks thought much about the dead – how their remains should be disposed of, how their spirits might be summoned, how malignant they could be if unavenged. Classicist David Stuttard brings us face to face with the Greek dead.

OEDIPUS AND THE SPHINX. /nThe young Oedipus ponders the riddle of the Sphinx. Red figured Greek pottery painting.

Thebes: city of myths

Sparta is famous for its warrior tradition, Athens for its intellectual and artistic achievement. But what of Thebes? As ancient historian Paul Cartledge explains, Thebes too had a most distinctive image.

Below Homer, as imagined in a 2nd century Roman copy of a Hellenistic sculpture. His weather beaten features would be appropriate for the itinerant lifestyle of a bard.

Trojan War: the archaeology of a story

Many cities have fallen to subterfuge, fire, and the sword over the millennia, so why does our fascination with Troy remain so keen? Perhaps it is because Homer’s Iliad and Odyssey have become potent examples of the power of words. These tales of derring-do and destructive depravity coloured the Greek, Roman, medieval, and modern worlds so vividly that they have created a richer archaeological legacy than many real events. Lesley Fitton and Victoria Donnellan led Matthew Symonds through the twists and turns of a tale that changed the world.

Picasso – half man, half bull

Picasso never visited Greece, let alone Crete. He didn’t need to do so. He re-created it on paper. The drawings and prints in our show reveal how Picasso evoked the ancient world and peopled it with gorgeous girls who resembled his mistresses.

Isis in Italy

Dalu Jones follows on the trail of the Ancient Egyptian goddess to Pompeii, Naples and Turin