Greek

The Spartans

Ancient historian Paul Rahe, whose monumental history of Sparta is just out, analyses the origins of the feared Spartan hoplite phalanx.

OPPOSITE William Pars, Ruins of the temple of Apollo at Didyma, from the north east¸ October 1764. Pen and grey and black ink, watercolour, with gum arabic and some body colour. Size: 299 x

In search of ancient Ionia

William Pars’s poetic images of the ruins he encountered on an expedition to Ionia and Athens helped shape the taste for Greek styles in 18th-century Britain. Louise Stewart takes us on a journey to Ionia through the eyes of this young artist.

Above A hand drawn and coloured page from Jean François Champollion’s notebooks.

Rosetta Stone: paper, paste, and prepositions

The Rosetta Stone was the key to unlocking the secrets of Egyptian hieroglyphs. The results of Jean-François Champollion’s work on the Stone’s inscription may be well known, but other scholars – with different attitudes towards ancient Egypt – also took up the challenge. Jed Buchwald and Diane Greco Josefowicz examine what forgotten manuscripts can tell us about the decipherment of the ancient scripts. examines what forgotten manuscripts can tell us about the decipherment of the ancient scripts.

OEDIPUS AND THE SPHINX. /nThe young Oedipus ponders the riddle of the Sphinx. Red figured Greek pottery painting.

Thebes: city of myths

Sparta is famous for its warrior tradition, Athens for its intellectual and artistic achievement. But what of Thebes? As ancient historian Paul Cartledge explains, Thebes too had a most distinctive image.