Post-Medieval & Industrial

Opposite Prior Park, home of philanthropist Ralph Allen, who transformed Bath’s small scale stone mining industry into a major commercial venture. In the foreground can be seen the wooden railway Allen built to transport the stone. above An artist’s impression of working in the part of the quarry known as the ‘Grand Canyon’.

Hollowed Ground: the archaeology of Bath’s stone mines

The hills around Bath look solid enough but below the surface they are riddled with tunnels and stone quarries. When some of these began to collapse, putting the village of Combe Down at risk, Oxford Archaeology was called in to record this vast labyrinth before it was filled with concrete. Chris Catling reports on the record they made of an industry that helped create the beautiful buildings of Georgian Bath’s ‘Golden Age’.

Marriage of Queen Victoria on the 10th February 1840, by Sir George Hayter (1792 1871). On 10 February 1840, Queen Victoria married her cousin, Prince Albert of Saxe Coburg and Gotha, in the Chapel Royal, St James. Though white has long been accepted as the traditional colour of wedding dresses, it was actually Victoria’s dress white satin trimmed with Honiton lace that established this custom. White has since been by far the most popular choice for bridal gowns.

The archaeology of royal weddings

As Prince William’s and Kate Middleton’s nuptials this month stir up feverish national excitement, what light can archaeology shed on the pomp and pageantry of the most magnificent of Royal occasions? Brendon Wilkins goes in search of the evidence.

Bottle

The Reigate Witch Bottle

How do you deal with a witch? In 17th century England, the answer was obvious: you prepare a ‘witch bottle’, with contents equally as bizarre as those in the cauldron of Shakespeare’s “Macbeth”. Witch bottles were white magic devices, that…

This old house: excavations at Chiswick House

In the early 18th century, Palladian style ruled England as the most fashionable for a British country house or public building. The man responsible, Richard Boyle, 3rd Earl of Burlington (1694-1753), designed the building that started this architectural revolution. English Heritage archaeologists have recently had a rare chance to investigate Britain’s first ‘Palladian’ country house.

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Taboo!

The Gods of the Pacific are powerful gods. Some have called them idols - more have called them art. And the Gods of the Pacific have had an enormous influence on European art throughout the 20th century. The Gods were powerful, and their power could be dangerous as well as life-enhancing. And this power had to be contained: the Polynesians had a word for the means by which this power could be contained and controlled: Tapu. Tapu means 'marked' or 'set apart': anything that was Tapu had to be wrapped and kept separate. And the word Tapu has also migrated to Europe and has become our word Taboo.