Italy

Painting the past

Joining the gallery’s collections is an 1819 oil-on-paper painting by Achille Etna Michallon (1796-1822) of The Forum at Pompeii.

Rome in the 8th Century: A History in Art

What do we imagine the city of Rome to have been like in the 8th century AD? With the supremacy of Constantinople as the political and administrative centre of the empire, the Rome of this period – its buildings falling…

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Minerva Magazine 186

• Ravenna: mosaics and majesty in an imperial city
• Tantra: the rise of a spiritual rebellion
• City of myths: how and why Thebes was forgotten
• In the beginning: ancient Chinese cosmology
• Where eagles dare: wealth, worship, and conquest in the Aztec capital

Before the flood

The study found that 37 of the 49 World Heritage Sites are already at risk from floods, and 42 from erosion, although the level of risk varies from site to site, with Venice and Ravenna particularly at risk from flooding, and Samos and Tyre from erosion

Bar brawl in Pompeii

Two gladiators wearing helmets with abundant, bristling crests are immortalised in paint in this Roman fresco, recently discovered at Pompeii. On the left, a murmillo stands tall and holds his large shield high in victory, while his vanquished opponent, a…

Far left The Octagonal Hall today. below & left Digital renderings from the exhibition: the Octagonal Hall in the Domus Aurea, with a map of the night sky showing astrological signs, and the second lateral room opening on to the Octagonal Hall.

Domus Aurea: the golden and the grotesque

Nero’s spectacular palace in Rome, the Domus Aurea or ‘Golden House’, was rediscovered in the Renaissance. Dalu Jones describes how the opulent designs of its ancient halls inspired some of the most celebrated artists of the 15th and 16th centuries.

Top left Under wraps: a marble statue after restoration. top right Elena Cagnoni, a restorer, working on the Torlonia Vase, a neo Attic Roman creation that is one of the largest known antique vases. The decorations on the rim depict the Labours of Hercules. Size: 177cm x 230cm above A marble statue in the photo studio. Size: 135cm tall

Hidden treasures: the Torlonia Marbles

For more than 50 years, the world’s greatest private collection of Classical art has been inaccessible to the public, locked away while a bitter dispute raged between the Italian state and one of Rome’s illustrious princes. Now the famous Torlonia Collection is to go on display at last. Dalu Jones tells its story – and offers a private view of a major new exhibition.

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Appointing Pompeii’s Director

Beyond the island I saw the thin campanile of Santa Maria in Cosmedin, which houses the Mouth of Truth, a bucket- list ‘must’ thanks to the incomparable Audrey Hepburn and Gregory Peck in Roman Holiday (1953).

Above Homes in Pompeii were decorated with frescoes celebrating food and feasting. This AD 45 79 still life wall panel from the House of the Chaste Lovers depicts a cockerel pecking at pomegranates, figs, and pears on a shelf.

Last Supper in Pompeii

The extraordinary levels of preservation at the relatively ordinary Roman city of Pompeii and other sites in the Bay of Naples, where the eruption of Mount Vesuvius devastatingly interrupted the inhabitants as they went about their daily lives, provide remarkable insights into the production, distribution, and conspicuous consumption of food and wine.

The fabulous Mariano Fortuny

Fortuny’s designs were hugely successful among the fashionable elite of the early 20th century, and admired by intellectuals and femmes du monde alike.

War Reporters: Julius Caesar

He was a charismatic leader, a seasoned military veteran, and a formidable politician. It is little wonder that he is rarely thought of as being an ancient example of the modern-day war reporter. Seema Syeda examines battlefield scoops throughout the ages.

6. Dedication to the deified Augusta (Livia), circa AD 50 54, from the Porticus at Herculaneum. W. 67cm. 7. A 50cm section of the Marble Plan of Rome, circa AD 203 11, showing a plan of the now lost Porticus of Livia. Dedicated in 7 BC, it was a complex containing a temple, colonnades, a library and schools. 8. Detail of a marble panel from the north processional frieze of the Ara Pacis in Rome, commissioned in 13 BC and dedicated in 9 BC. It shows Agrippa (left) and probably Julia (right). Beween them is their son Gaius, the grandson of Augustus. H. circa 1.6m.

Roman women: following the female line

Guy de la Bédoyère tracks the Roman women who were held in high esteem because they exemplified the virtues of the state and thereby ensured the succession of the Julio-Claudian dynasty.

2. A bird’s eye view of the Colosseum showing the 14 aedicules of the Station of the Cross around the arena, 1776, by Piranesi, etching. 53.7cm x 78cm. Bridgeman Images.

The colossus of Rome

Dalu Jones discovers what happened to the largest amphitheatre in the world after the brutal public fights and barbaric contests ceased.

Isis in Italy

Dalu Jones follows on the trail of the Ancient Egyptian goddess to Pompeii, Naples and Turin