Above Writing equipment from a votive pit at a villa in Marktoberdorf, Bavaria. The cache includes an inkwell (back), a spatula (middle), and a small knife (front). The presence of this kit might suggest that writing played a role in the rites. ABOVE RIGHT A doctor’s grave from Vindonissa, Switzerland, where a cremation burial was accompanied with two scalpels (right), tweezers (centre), and an inkwell. Although in such cases the deceased are usually assumed to be men, detailed study of the skeletal material revealed the presence of a woman and child.

Age of ink: inkwells and writing in Roman Britain

The power of the Vindolanda and Bloomberg tablets to evoke our Roman past has made them justly famous, but just how widespread were writers in Roman Britain? Hella Eckardt reveals what inkwells can tell us about the arrival of literacy.

Being able to write was a valuable skill in Roman antiquity, but it is usually estimated that only 15% or so of the population of the entire Empire was literate, with most of those individuals living in towns or serving in the army. Literacy is also thought to have been more common among men than women, and most widespread among urban elites at the heart of the Empire, rather than in Rome’s northern provinces.

Much previous research on the subject has, naturally enough, focused on written sources, be they papyri from the Egyptian desert, wax tablets like those discovered at the London Bloomberg site (CA 317), or the renowned ink-written wooden tablets from Vindolanda. One problem with this approach is that these exceptional finds owe their preservation to conditions that are equally exceptional, in either very dry or very wet deposits. Elsewhere, ancient writing materials rarely survive in the archaeological record, making it difficult to understand how and where literacy took root.

below Copper-alloy vessels decorated with intricate millefiori patterns are sometimes thought to be inkwells. This example was found in Elsenham, Essex, and is now on display in the British Museum’s Room 49. Inkwells first appear in Britain after the Claudian conquest in AD 43. Investment in ornate examples may reflect the status and power that literacy conferred as writing established itself as an important new medium. bottom Writing essentials: this fresco from the House of Julia Felix in Pompeii shows a reed pen balanced on an inkwell, with a blank sheet of papyrus ready for use, while a wax tablet and stylus lie next to it. The vignette above the writing implements may hint at the wealth literacy could deliver.
Writing essentials: this fresco from the House of Julia Felix in Pompeii shows a reed pen balanced on an inkwell, with a blank sheet of papyrus ready for use, while a wax tablet and stylus lie next to it. The vignette above the writing implements may hint at the wealth literacy could deliver. PHOTO: Trustees of the British Museum / Carole Raddato
Copper-alloy vessels decorated with intricate millefiori patterns are sometimes thought to be inkwells. This example was found in Elsenham, Essex, and is now on display in the British Museum’s Room 49. Inkwells first appear in Britain after the Claudian conquest in AD 43. Investment in ornate examples may reflect the status and power that literacy conferred as writing established itself as an important new medium. PHOTO: Trustees of the British Museum / Carole Raddato

One comparatively unsung type of artefact can be used to redress the balance: the humble inkwell. Although these are unlikely to be the first objects that spring to mind when you think about the rich corpus of Roman artefacts, they do survive in considerable numbers. Roman inkwells were usually made from copper-alloy or clay (inkwells displaying the fashionable red hues of Samian ware are especially common), but glass, lead, and silver versions were also available for those with a generous stationery budget. Despite the potential for inkwells to fill in some of the gaps in our knowledge about where people were writing, they were not studied as a group until a recent project hosted by the University of Reading and funded by the British Academy produced the first comprehensive catalogue of metal inkwells. This involved gathering well over 400 examples from across the Empire.

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