How did water go from being something to fear to a place of privilege in Greece and Rome? Karen Eva Carr plunges into the cultural history of swimming.
Many metalworkers and ceramicists in Renaissance Europe seemingly had no qualms about killing a lizard – or other animal – for their art. Pamela Smith investigates the intriguing practice of life-casting that turned nature into art, and why artisan authors recorded practical knowledge in words.
The long-term project, which started in 2011, has seen the restoration of the ancient bathhouse to protect parts that were left open to the elements.
Review by Andrew Robinson. The Rosetta Stone, dated 196 BC, is of course famous worldwide – and perhaps the best-known object in the British Museum, following its 1801 capture by the British
A number of the national pavilions artists are drawing on ancient culture and themes from the past.
Michael Ventris’ decipherment of a mysterious ancient script, Minoan Linear B, was dubbed by The Times as ‘the Everest of Greek archaeology’…
‘Yes, wonderful things’ is the oft-quoted response Howard Carter gave when, on 26 November 1922, Lord Carnarvon asked if the archaeologist could see anything through a hole in the inner doorway of the tomb of the young king Tutankhamun.
How did the elements of what we now call Gothic come together in medieval Europe? Emma J Wells takes us back to this great age of cathedral-building, when masons set out to replicate heaven here on earth.
Glyphs including a serpent amd anthropomorphic figures wearing regalia were revealed using photogrammetry.
Review by Aidan Dodson. In 2013, a remarkable discovery was made at the site of Wadi el-Jarf on the Egyptian Red Sea coast. It comprised a group of papyri, which not only
The layers of tunnels under Naples preserve traces of Greek life and death in ancient Italy. Dalu Jones heads beneath the surface to visit ongoing restoration work that is making an ancient tomb and its rare surviving Greek paintings accessible to the public.
Remains of a palace at the site emerged from the waters in 2010, and in 2018, when water levels were again low, archaeologists carried out a short campaign, documenting the palace.
The team believe that the head of the youthful god, depicted with delicate features, was ‘originally conceived as a beheaded figure’.
Some of the most significant texts from around the world have been given very special treatment, with words of holiness and of diplomatic value written both in and on gold. Annabel Teh Gallop, Eleanor Jackson, and Kathleen Doyle investigate the indelible importance of the precious metal in luxury manuscripts.
One of the most celebrated works of ancient Greek sculpture, Phidias’ statue of Zeus, was once housed in a temple at Olympia. Though this lost wonder was much admired by ancient visitors, it was not the only attraction at the site, for centuries the home of great panhellenic games. A new book by Judith Barringer explores the many transformations Olympia experienced, even before the creation of Phidias’ masterpiece, as David Stuttard reports.
Vast quantities of artefacts were found in a mound in Oklahoma in the 1930s. Together they tell an intriguing story of ritual and cosmic renewal. As an exhibition reuniting some of these objects travels to Texas, Lucia Marchini speaks to Michelle Rich and Eric Singleton to find out more.
Last year, the restored mosaics of the lavish audience hall and bathhouse of Hisham’s Palace near Jericho were opened to the public. Marie-Louise Winbladh explores the early Islamic art that embellished this Umayyad winter resort, built not by Hisham, but by his nephew al-Walid.
The difference between a historian and a poet is not that one uses prose and the other verse. After all, you could take the History of Herodotus and turn it into verse, but it would still be history, not poetry.
Review by David Stuttard. On an August morning just over two and a half millennia ago in 490 BC, a numerically inferior army of democratic Athenians, their liberated slaves, and Plataean allies
Researchers have studied the 30,000-year-old figurine using micro-CT imaging to try to trace the origins of the oolite rock it was made from
A small selection of the thousands of drawings compiled by Regency architect Sir John Soane have gone on display in London, among them exquisite works that bring us visions of ancient monuments abroad and of unrealised splendour in England. Lucia Marchini takes a look.
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