
REVIEW BY SHANNON LEE DAWDY
Dead Man’s Chest is a collection of essays and research reports by practising archaeologists and historians who have conducted work on shipwrecks, terrestrial sites, artefact collections, and archival sources. It is the third book in a series by lifelong collaborators Russell Skowronek and Charles Ewen.
While sea banditry is as old as sea trading, and well documented for the ancient Mediterranean and China, this book focuses primarily on the ‘Golden Age of Piracy’ (1650-1730). Readers familiar with larger-than-life characters like Blackbeard, Anne Bonney, and Henry Morgan will learn that these famous ‘pirateers’ had a remarkably global range that stretched well beyond the Caribbean, from Brazil to Maine, Ghana to India. Although there is a Caribbean and Atlantic bias to the book (pirates were also active in Asia and the Pacific), it includes recent research by international teams working in the Indian Ocean.
‘Pirateer’ is a term coined by contributor Kenneth Wild, highlighting that the lines between privateer (a legal mercenary), pirate, and smuggler were not only hard to draw, but that a person or ship could switch between these roles over time and space. A couple of evidential takeaways emerge from the volume: (1) it is difficult to identify pirate sites in the absence of corroborating archival evidence, and (2) certain artefactual patterns can tilt the evidence towards a piracy connection. These are heavily armed fast ships and an unusually cosmopolitan artefactual assemblage indicating that those on board had opportunities to accumulate goods and trinkets from places as dispersed as China, Egypt, England, France, and Africa within a short timeframe. Some contributions exhibit remarkable sleuthing and forensics, but the most insightful work comes from researchers working on terrestrial sites. We learn that pirate sites included fishing villages, logging camps, forts built by French engineers, as well as hidden ‘lairs’ where they could careen their ships and hunt for turtles. In other words, there are pirate landscapes as well as pirate ships.







Star Carr: Excavating the CA archive