Tantra

ABOVE Thangka painting of the goddess Naro Dakini (a form of Vajrayogini), Tibet, 18th 19th century. Ink and watercolour on cloth, with silk brocade borders. Size of painting: 26.3 x 23cm

Tantra: from ecstasy to enlightenment

Lindsay Fulcher enters the transgressive realm of Tantra. This rebellious Indian cult, which has overturned religious, social, sexual, and political norms from AD 500 to the present day, is currently being celebrated in an exhibition curated by Imma Ramos at the British Museum.

ABOVE An early example from Nepal of a ‘Tantra’ that is, a religious text. BELOW A 13th century temple sculpture showing Bhairava. His impassive expression is undercut by the pair of fangs projecting from his mouth and the severed head clutched in his hand. Members of the demonic dead stand to Bhairava’s left and right.

Tantra: an archaeology of enlightenment

Tantra’s appeal has proven remarkably broad. What began on the margins of Indian society went on to command the patronage of royalty and transform Hinduism and Buddhism as it spread across Asia. Along the way, it created a rich archaeological legacy, capable of provoking radically different reactions from its audiences, as Imma Ramos told World Archaeology.