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ABOVE The Altis, the sacred area of Olympia, was home to many monuments, such as here (in the foreground) the curving Philippeion, set up by Philip of Macedon after his victory over an independent Greece. Beyond is the Temple of Hera, built before the Temple of Zeus at the site.

The Changing Faces of Olympia

One of the most celebrated works of ancient Greek sculpture, Phidias’ statue of Zeus, was once housed in a temple at Olympia. Though this lost wonder was much admired by ancient visitors, it was not the only attraction at the site, for centuries the home of great panhellenic games. A new book by Judith Barringer explores the many transformations Olympia experienced, even before the creation of Phidias’ masterpiece, as David Stuttard reports.

Right Effigy pipe of seated male figure, known as Resting Warrior or Big Boy, and identified as Morning Star or the hero Red Horn, from the Spirit Lodge, Spiro. Bauxite (flint clay), AD 1100 1200. Size: c.25 x 15 x 15cm

Spiro: renewing the world

Vast quantities of artefacts were found in a mound in Oklahoma in the 1930s. Together they tell an intriguing story of ritual and cosmic renewal. As an exhibition reuniting some of these objects travels to Texas, Lucia Marchini speaks to Michelle Rich and Eric Singleton to find out more.

The Palace in the Desert

Last year, the restored mosaics of the lavish audience hall and bathhouse of Hisham’s Palace near Jericho were opened to the public. Marie-Louise Winbladh explores the early Islamic art that embellished this Umayyad winter resort, built not by Hisham, but by his nephew al-Walid.

The Idea of Marathon: Battle and Culture

Review by David Stuttard. On an August morning just over two and a half millennia ago in 490 BC, a numerically inferior army of democratic Athenians, their liberated slaves, and Plataean allies won an overwhelming victory over Persian invaders on…

BELOW Henry Parke (Soane office apprentice), Royal Academy lecture drawing showing a plan of Stonehenge, Wiltshire. Pen, pencil, and coloured washes on wove paper, 1817. Size: 71.3 x 129.4cm

Paper worlds and hidden masterpieces

A small selection of the thousands of drawings compiled by Regency architect Sir John Soane have gone on display in London, among them exquisite works that bring us visions of ancient monuments abroad and of unrealised splendour in England. Lucia Marchini takes a look.

Opposite Marble head of the god Apollo (Kassel type) found during excavations for the construction of the Opera House on the Viminal Hill in Rome. Roman copy of a mid 5th century BC original attributed to Phidias.

Museo Barracco: a head for sculpture

Having brought together ancient Roman, Greek, Egyptian, and Mesopotamian artefacts to create a museum of comparative sculpture, Baron Giovanni Barracco gave his collection of antiquities to the city of Rome in 1902. Now housed in a 16th-century palace in the Italian capital, the little-known Museo Barracco showcases ancient artistry and the activities of collectors, both at the turn of the century and in ancient Rome. Dalu Jones is our guide.

Persepolis, 1935

Persepolis paintings perfectly glorious’ was the verdict Prentice Duell cabled from Egypt to James Henry Breasted, founder of the Oriental Institute of the University of Chicago (OI). He had just seen the work American artist Joseph Lindon Smith (1863-1950) created…

H of H Playbook

Review by Lucia Marchini. The myth of Heracles, his heroic strength and ability to meet seemingly insurmountable challenges, has proven an enduringly popular one. Emperors and kings made use of his mighty image, and he was even the subject of…

Above Embroidered oak leaves as trench art photograph frames.

Trench Art: the Art of War

From buttons to artillery shells, a range of items from battlefields have been transformed – often by soldiers – into powerful and personal pieces of ‘trench art’. Nicholas J Saunders explores some of the human stories of life and death sealed within these creations.