Feature

Dinas Dinlle AP 2014 0877 RC copyright

Archaeology and climate change

The CHERISH Project resulted from a joint Welsh and Irish application to the European Union’s Interreg fund, the purpose of which is to bring member nations together to share innovative and sustainable solutions to regional development challenges. In this case, the challenge was climate change and its impact on the heritage sites and landscapes along the Irish Sea coast and beneath its waters. The project was conceived and led by the Royal Commission on the Ancient and Historical Monuments of Wales, and Chris Catling, the Commission’s Secretary, now reports on its methods and outcomes.

CA article Fig 4 NJP at Stenness

Seeking a Scottish source: Updating the story of Stonehenge’s Altar Stone

In CA 415, we reported on new scientific analysis suggesting that the origins of the Stonehenge Altar Stone lay hundreds of miles from Salisbury Plain, in the Orcadian Basin of north-east Scotland. The story has already moved on, however, with recently published research narrowing the search further, ruling out Orkney itself as a potential source. Rob Ixer, Richard Bevins, and Nick Pearce bring us up to date.

Hilary Wilson on… Egypt and what to see in 1912

In our last issue, Hilary described what it was like to visit Egypt just before the First World War, based on a 1911-1912 tourist guide by A O Lamplough. Now she uses archive photos to illustrate how the monuments have changed since Lamplough’s book was published.

Norfolk’s earliest stone churches: Constructing a timeline of ancient religious buildings

Peter Wade-Martins has visited all 649 of Norfolk’s surviving medieval churches to study the stone types used in their construction. As a result, he has identified the use of conglomerate – along with grey quartzite, millstone grit, and tile, much of it reused from ruinous Roman buildings – as important indicators of the churches constructed in the 11th and 12th centuries, before the ready availability of limestone. Chris Catling reports.

Qarn al-Harf: Exploring a Bronze Age refuge

Around 2000 BC, a successful and prosperous Bronze Age culture in Southeast Arabia suddenly collapsed. Traditions and settlements that had developed over centuries disappeared, apart from in one small enclave towards the north of their former territory. Derek Kennet told Matthew Symonds how attempts to hold on to the past ushered in a new era.

Napoleon: Rise of a military colossus

In our special two-part feature in this issue, Graham Goodlad explores, first, the part played by Napoleon’s generalship in his progress from unknown artillery officer to ruler of France. Then he analyses in depth two battles Napoleon fought in his 1796-1797 Italian campaign.

Hidden figures

The use of ‘native levies’ has long been a feature of foreign wars – but their employment and their sacrifice reached a peak during the British colonial era. Stephen Roberts uncovers a forgotten story.

The last of the Romans

Flavius Aetius is little known today, unlike his nemesis Attila the Hun. But, says Tim Newark, it was the Roman general who triumphed over his notorious adversary in a battle that decided the fate of the Roman Empire.

How to restore a manor: Breathing life back into a Grade II*-listed Norfolk building

In 2014, archaeologist Warwick Rodwell and art restorer Diane Gibbs bought the Grade II*-listed manor house in Northwold, Norfolk, after it had been neglected for 60 years. With water pouring in and roofs, ceilings, and floors collapsing, they set about rehabilitating the house, and much has been learned in the process about the construction of the manor, the families who lived in it, and its place in the history of the parish, as Chris Catling reports.

Roman replicas: Recreating the Hallaton Helmet

The Hallaton Helmet, an ornately decorated piece of Roman cavalry equipment discovered in rural Leicestershire in 2000, is undeniably an important artefact – but how do you interpret its now-fragmentary imagery for museum visitors? Helen Sharp describes an initiative that created two contrasting reproductions using traditional and cutting-edge techniques.