
What’s in the Box? Plymouth’s new museum opens
The large and ambitious opening exhibition, entitled Mayflower 400: legend and legacy, tells the story of the voyage and assesses the impact of the settlers’ arrival on the indigenous population.

The large and ambitious opening exhibition, entitled Mayflower 400: legend and legacy, tells the story of the voyage and assesses the impact of the settlers’ arrival on the indigenous population.

Joining the gallery’s collections is an 1819 oil-on-paper painting by Achille Etna Michallon (1796-1822) of The Forum at Pompeii.

All great artists need great subjects. Joseph Mallord William Turner was no exception. Although extremely talented, he was especially fortunate to have lived through stirring times.

Visitors to Stonehenge have been taking photographs of the monument – and themselves – for almost 150 years. Lucia Marchini visited the site to explore a new exhibition showcasing some of these images, and the stories they tell.

For more than 50 years, the world’s greatest private collection of Classical art has been inaccessible to the public, locked away while a bitter dispute raged between the Italian state and one of Rome’s illustrious princes. Now the famous Torlonia Collection is to go on display at last. Dalu Jones tells its story – and offers a private view of a major new exhibition.

What can objects tell us about how people objected to the authority of the day? A new exhibition at the British Museum tells the story of rebels ancient and modern. CA went along to find out more.

In October, the contents of the Metropolitan Police’s Crime Museum went on public display for the first time at the Museum of London. This teaching collection has amassed artefacts from a succession of notorious crimes, but it also invites us to reflect on their legacy, as Jackie Keily told Matthew Symonds.

A new exhibition featuring the work of war artist Steve Hurst was recently on display at Pangolin London, a Kings Cross gallery devoted to sculpture. Bringing together four decades of Hurst’s own personal imagery, which he admits is inextricably linked…