• The gold bracelet of the Twenty-first Dynasty pharaoh Amenemope was recently stolen from the conservation laboratory of the Egyptian Museum in Cairo. Arrests were made but, sadly, the bracelet had already been melted down for gold. • An ancient…
Two decades after the discovery of the famous Berlin bust, a chance discovery was made in 1933 of a sculptors’ workshop at Amarna containing another unfinished head of Akhenaten’s queen.
REVIEW BY CAMPBELL PRICE This is perhaps the most closely related set of papers to be included in a single Festschrift that I’ve ever encountered. Given Nicholas Reeves’ well-known work in the Valley of the Kings, and on Tutankhamun in…
The Egyptian-British archaeological mission working in the Northern Cemetery (Tombs of the Nobles) at Amarna has uncovered a burial containing fine pieces of gold jewellery. The grave contained the remains of a young woman wrapped in textiles, who was buried…
Tutankhamun and Howard Carter: two men whose lives are separated by more than three thousand years, but now and forever intertwined in the annals of history. The discovery of the tomb of Tutankhamun in November 1922 would seal the fate of both men and have long-lasting implications for the study and popularity of ancient Egypt. But Carter’s contribution to Egyptology goes much further than his leading role in the world’s most famous archaeological discovery, as Carl Graves reports.
Continuing our 100th anniversary celebration of the finding of the tomb of Tutankhamun, Aidan Dodson looks at the ‘prehistory’ of the king, and how early scholars pieced together the evidence for this obscure king prior to the discovery of his tomb in 1922.
The wife of the ‘heretic’ king Akhenaten, Queen Nefertiti is today one of the most iconic of all ancient Egyptians, thanks to her painted bust revealed to the world in 1923. Aidan Dodson charts the career of this remarkable queen, a hard-headed pragmatist who became a forgotten – and possibly murdered – king.
The painted limestone bust of the Egyptian Queen Nefertiti, recovered from the royal city of Amarna, is familiar across the world. This bust has inspired many copies – some very accurate, some far less so – so that many of us first ‘meet’ Nefertiti via one of these replicas. Recently, in an effort to understand the processes behind the creation of the original Nefertiti, Joyce Tyldesley commissioned her own replica.
Stab wounds found on Ancient Egyptian skeletons suggest corporal punishment was used at the New Kingdom site of Amarna.