Opposite Detail of the Book of the Dead of Queen Nedjmet. Papyrus, 21st Dynasty, 1070 BC. Size: 34 x 416cm overall right The Rosetta Stone, from Rasid. Granodiorite, Ptolemaic period, 196 BC. Size: 112.3 x 75.7 x 28.4cm

Hieroglyphs: the key to ancient Egypt

As the British Museum marks the 200th anniversary of the decoding of the Rosetta Stone in a new exhibition, Lindsay Fulcher talks to its curator, Ilona Regulski, about the two men who worked to decipher its text, what it revealed, and the powerful role of the scribes who created these petrified books.

‘I have turned over in my hand the titles of years whose history was totally forgotten; the names of gods who have not had altars these fifteen centuries, and I have gathered the tiniest pieces of papyrus, scarcely drawing breath for fear of reducing them to powder, the last and only memory of a king who during his life maybe found himself all pent up in the immense palace of Karnak.’

Jean-François Champollion, letter to his elder brother Jacques Joseph Champollion-Figerac, 6 November 1824

Until, in 1822, the brilliant philologist Jean-François Champollion (1790-1832) worked out how to decipher hieroglyphs, the words carved on the Rosetta Stone, and in many other ancient Egyptian inscriptions, could not be accurately read – and much of our knowledge about life in ancient Egypt was based on speculation and conjecture. But it was not his work alone that led to this momentous discovery, for the painstaking analysis carried out before him by the equally brilliant English polymath, Thomas Young (1773-1829), helped to prepare the way for Champollion’s revelations.

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