Above At the top is one of Hetepheres I’s silver bracelets, now in the Museum of Fine Arts, Boston (MFA 47.1700). The bracelet below it is an electrotype reproduction made in 1947 (MFA 52.1837, Harvard University Boston Museum of Fine Arts Expedition).

The origins of silver, and the bracelets of Queen Hetepheres I

For the first time in nearly a century, these famous Old Kingdom bracelets were scientifically analysed by an international team led by Macquarie University in Sydney, with surprising results, as Karin Sowada explains.

In the early spring of 1925, Mohamadien Ibrahim (part of a team led by George Reisner) scraped the desert sand away from what he thought was the limestone bedrock of the Giza plateau. He quickly realised the surface was not rock, but plaster. Further clearing outlined the edge of a sealed entrance – the unmistakable sign of an intact tomb.

At the top is one of Hetepheres I’s silver bracelets,now in the Museum of Fine Arts, Boston (MFA 47.1700). The bracelet below it is an electrotype reproduction made in 1947 (MFA 52.1837, Harvard University–Boston Museum of Fine Arts Expedition). Image: © September 2023 Museum of Fine Arts, Boston

With the world still digesting the news coming almost daily from excavations at the tomb of Tutankhamun, this new discovery caused a sensation. Its location was in a privileged position in the royal cemetery, close to the eastern side of Khufu’s Great Pyramid. Could this new tomb contain the same wealth as that of the boy-king? To whom did it belong?

However, any surface remains of a burial were scanty. There was no visible pyramid monument befitting a member of the royal family. In addition, a vertical shaft cut into the rock, some 27 metres deep, was a significant hurdle to overcome before those questions could be answered.

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