What makes this is a welcome addition to the not inconsiderable number of histories of Glasgow, is that Moffat knows how to tell a good story. The book is of interest because it extends back to prehistory and up to the 21st century. Archaeologists may feel that he rushes through the early centuries: the final three-quarters of the book is dedicated to the post-medieval era. Personally, I would have liked to see more about the royal burial cult at Govan, and the dynamic shift of ecclesiastical and political power to the Cathedral in the 12th century, but the themes addressed in the modern era are well-chosen.
Although his book is not particularly engaged with archaeology, Moffat has a strong interest in the materiality of the past. Much of the book deals with the built environment and with things built in Glasgow, such as ships and locomotives. The text is set out in 39 short chapters, which are engaging accounts of notable events, historical figures and personalities, culture and social events. There is a good factual basis underpinning the crisply amusing stories and anecdotes, but there are no references.
Someone who is familiar with Glasgow lore will find enriching detail that adds interest to well-kent stories. The evolving civic identity has a particular fascination for Moffat, and even someone less familiar with the lore of the Clyde will come to appreciate the narrative. It is good to see Glasgow’s contribution to Scottish history – the Reformation, the Enlightenment, the Empire – given a proper outing.
