One and all: Discovering the distinctiveness of Cornish buildings

The Cornish Buildings Group recently celebrated its 50th anniversary. Dedicated to preserving and improving Cornwall’s built heritage, the Group has marked its half-century by publishing a short history of its achievements and a volume of conference proceedings that address the question: what defines Cornish buildings? Among the factors that contribute to Cornwall’s architectural distinctiveness are the county’s geology and building stones, as well as particular building types and the designs of architects who devoted much of their career to the county, as Chris Catling reports.

In his groundbreaking work on The Pattern of English Building, Alec Clifton-Taylor gave primacy to geology in creating the characteristics that enable us to recognise a typical ‘Cotswold’ building by its limestone, an East Anglian house by its flint, or a Lake District barn constructed of slate. But building stones are not coterminous with counties. The limestone belt extends from Portland Bill in Dorset to the Cleveland Hills of Yorkshire. Cirencester and Stamford have much in common architecturally, though they are located more than 100 miles apart. Arguably, Cornwall – almost cut off from its neighbour Devon by the River Tamar – is the one county in England where the geology is sufficiently localised to have resulted in a style all its own.

Clinging to the cliffs at Botallack on the Tin Coast, the 19th-century engine houses that once fired the Crowns Mines are today celebrated as part of the Cornwall and West Devon Mining Landscape World Heritage Site and as a filming location for Poldark. Photo: Andrew Bone, CC BY 2.0

Grounded in granite

That is not to say that Cornwall’s geology is homogenous, nor that it is exclusive to the county. The most abundant building stone is granite, which comes in a rich variety of colours, from rust red to cream – depending on the ratio of minerals in the matrix that formed when molten magma flowed across the landscape and cooled some 300 million years ago. Granite polishes well, but is extremely hard and difficult to carve, hence it is not easy to create sculptural detail or elaborate mouldings out of it.

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