Left In March, volunteers gathered at the Stonehenge Visitor Centre to take part in an archaeological experiment to explore how the celebrated monument’s monoliths might have been moved.

Like a rolling stone: experimental archaeology at Stonehenge

Was the communal effort of constructing Stonehenge as important to its builders as the finished monument’s purpose? And what was it like to move one of its mighty monoliths? CA spoke to Susan Greaney, Julian Richards, and Luke Winter – and travelled to the Stonehenge Visitor Centre for some hands-on experience.

A commanding voice rang out across Salisbury Plain – ‘PULL!’ – and in the next moment dozens of bodies were moving as one. Heels dug into the muddy ground; hands grasped tightly onto ropes; chests, shoulders, and arms strained in a mighty effort – and slowly, but with increasing momentum, the great limestone monolith began to move.

Specially sourced from a quarry in Purbeck, Dorset, the stone formed the focus of an experimental archaeology project that took place at the Stonehenge Visitor Centre over a chilly March weekend. At four tonnes (equivalent to four family-sized cars) it was small fry compared to some elements of Stonehenge – laser scan estimates suggest that while the smaller sarsen lintels weigh 3.8-6.4 tonnes, the inner horseshoe lintels are 12-18 tonnes, and the largest of the sarsens come to nearly 40 tonnes – but the prospect of moving this modern monolith was not undaunting.

left In March, volunteers gathered at the Stonehenge Visitor Centre to take part in an archaeological experiment to explore how the celebrated monument’s monoliths might have been moved.
In March, volunteers gathered at the Stonehenge Visitor Centre to take part in an archaeological experiment to explore how the celebrated monument’s monoliths might have been moved.

This was not the first project to explore how the stones of Stonehenge could have been transported: Richard Atkinson carried out trials on a related theme in the 1950s, while UCL students experimented with shifting a stone on a wooden sledge in 2016 (CA 318, ‘Sherds’). But this most-recent initiative, undertaken as part of the Stonehenge 100 celebrations (commemorating the centenary of Cecil Chubb giving the monument to the nation in 1918; see end box), set out to explore a specific aspect of the monument’s life.

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